New Ecologies
I paddle quiet rivers and wander coastlines for materials, observing novel plant communities surviving in distressed lands and waters. In the studio, I transform fiber and sediment into paper pulp, which coats discarded electrical and communication wire.
Each eco-centric sculpture connects a diversity of plant forms and abstractions echoing water movement. This act of interconnecting reflects a growth of novel relationships and consciousness—New Ecologies emerging out of collapsing systems.
Codium fragile and Lost Kelp of Narragansett Bay
40 x 50 x 3 in, reused electrical wire, Codium fragile seaweed and flax paper pulp
Kelp was once found wild-growing all the way up to Providence, RI in Narragansett Bay. Codium fragile is a so-called “invasive” Asian seaweed, increasingly present in the Bay, and originating from the coasts of Japan.
COMMON REED MOVEMENTS
62 x 36 x 4 in, reused electrical wire, artist-made paper pulp from sediment, jewelweed, abaca, flax, common reed
Warm fall months meant plenty of kayaking. I was drawn to Big River because it was a quiet, still, place—removed from modern life, though you go deep under the I-95 highway at one point. Going with the water flow, I observed the long lines of pond lilies, pickerelweed with spade-like leaves, and 15 ft. tall common reed alongside cattail.
Pokeberry and Pickerelweed
29 x 38 x 4 in., reused electrical wire, pokeberry ink, artist-made paper from hardy banana, abaca, flax, common reed, 2025
Pickerelweed and Phragmites
51 x 47 x 4 in., reused electrical wire, artist-made paper from sediment, jewelweed, abaca, flax, common reed, 2025
River Ripples
67 x 34 x 4 in., reused electrical wire, artist-made paper from sediment, Szechuan banana, abaca, flax, common reed, 2025
Sediment and Lilies
28 x 40 x 4 in., reused electrical wire, artist-made paper from sediment, Szechuan banana, abaca, flax, common reed, 2025
RIVER LILIES
68 x 35 x 4 in, reused electrical wire, artist-made paper from sediment, Szechuan banana, abaca, flax, common reed, 2025