Trace

Trace #1-8, cyanotype, artist-made paper pulp paintings from pigmented cotton, corn husk, abaca, with gouache, 8 at 6 in. x 9 in., 2017

Strata

artist-made laminated paper from pigmented cotton and abaca, 4 at 6 in. x 9 in., 2017

Undertow

cyanotype and artist-made paper pulp paintings from cotton, abaca, and corn husk, with gouache, 8 at 8.5 in. x 11 in.,

Particle

artist-made paper pulptype from corn husk, pigmented cotton and abaca, 4 at 8.5 in. x 11 in., 2016

Drift

cyanotypes on artist-made paper from cotton rag, recycled cotton, pigment, 10 at 8.5 in. x 11 in., 2016

Stream

rtist-made pulp painting from pigmented flax, cotton, abaca and corn husk, 3 at 6 in. x 9 in, 2017

Eddy

artist-made pulp paintings from pigmented flax, cotton, abaca, and corn husk, with cyanotype and gouache, 4 at 6 in. x 9 in., 2017

Flow

artist-made laminated paper from pigmented cotton and abaca with cyanotype, 4 at 6 in. x 9 in., 2017

Lamina

A recent collaboration between artists Lindsey Beal and May Babcock focuses on experimental integration of alternative photographic processes and creative papermaking techniques. Cyanotypes are layered on 'pulptypes' and stenciled pulp paintings, with a broad range of imagery that includes organic and man-made patterns and landscapes. Pulptype is a printerly approach to papermaking where finely beaten pulps are 'printed', resulting in works that resemble monotype prints. The handmade papers are coated with cyanotype chemistry and printed with photographic imagery. Lamina is the result--a group of over 30 unique artworks, ranging from dense layers of pulp and pattern, to elegantly simple images.

Collections:

RISD Museum
Boston Athenaeum

Exhibitions:

Homegrown Gallery

Publications:

Cyanotype: The Blueprint in Contemporary Practice, Christina Z. Anderson, Focal Press, 2019

Issue #19, The Hand Magazine, January 2018
Cyanotype, Pulptype, and Paper, Bull & Branch, Friends of Dard Hunter, 2017

Lamina

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